图型是知性范畴的并行形式,它与范畴同质,也与现象同质,并使前者应用于后者之上成为可能。图型概念在康德的美学中具有基础性作用。图型是“表象”得以产生的前提,也是“形象”的认识论基础。它是“表象力”的一部分,决定着具有统一性的审美表象的产生。 Figure is the parallel form of intellectual category, it is homogeneous with the category, but also with the phenomenon of homogeneity, and the former applied to the latter possible. The concept of graphics has a fundamental role in Kant’s aesthetics. Figure is the premise of “appearance ” and also the epistemological foundation of “image ”. It is part of “appearance power ”, which determines the appearance of a unified aesthetic appearance.