《野草》作为鲁迅先生的散文诗集,在展现悲观灰暗现实的同时,更是一次对自己无情残酷的解剖,一次沉思缄默之后的独白,字里行间将满腹愤懑和无力回天的矛盾情绪展露无余。利用文学创作上的独特性,在文字的掩护下建构了一个夹杂着绝望与希望,彷徨与呐喊,反抗与妥协诸类二元对立元素的话语平台,表现出身为“当事人”的无奈与清醒,迷茫与执着。 As a collection of essays and poems by Lu Xun, Weeds is a mercilessly cruel anatomy of himself, a monologue after a period of silence, and reveals the ambivalent and powerless contradictions between the lines. Using the uniqueness of literary creation, under the cover of written language, a discourse platform is constructed which contains elements of duality such as despair and hope, imitation and crying, resistance and compromise, showing the helplessness of being the “client” Awake, confused and persistent.