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刘旭光的日常与无常刘旭光是一个不受拘束的艺术家。在当代艺术的语境下,他涉猎了表现、抽象等多种形式,也历练了平面、装置和影像等多种媒介。基于对既有秩序和规则的漠视,刘旭光时常对艺术实验的实施方式和结果抱以一种放任的态度。他的影像艺术往往根据各种不同的特定现场,实现光与影之视觉变化的最大可能性。为此,刘旭光让《山海经》中的祥瑞异兽登堂入室,演示为一种无常的、稍纵即逝的幻象。他的影像力量作用于人
Liu Xuguang daily and impermanence Liu Xuguang is an unconstrained artist. In the context of contemporary art, he dabbled in various forms such as performance and abstraction, and also learned many kinds of media such as plane, installation and video. Based on ignorance of the existing order and rules, Liu Xuguang always lashes into an attitude of indulgence with the ways and results of artistic experiments. His video art often realizes the greatest possibility of visual change of light and shadow according to different specific scenes. To this end, Liu Xuguang “Shan Hai Jing” in the auspicious beasts into the room, demonstrated as an impermanent, fleeting vision. His imagery powers people