二十世纪90年代以来,无论大陆还是台湾都出现了一批“美女”作家,如林白、陈染、卫慧、棉棉以及台湾的邱妙津,陈雪等。她们不约而同的在小说内容的写作上以“身体”作为对话的核心,渴求建立真正的“女性”话语,最终颠覆男权文化的主宰地位,为真正实现女性的个体生存体验、情感体验和生命体验开辟了一条独特的“女性文学”生存之路。本文试图从“女性文学”文本中女主人公怪异疯狂的自恋,毫无避讳的展示以及“女性主义”无奈尴尬的结局来探讨一下90年代以来两岸女性主 Since the 90s of the 20th century, a number of “beautiful women” writers have emerged in mainland China and Taiwan, such as Lin Bai, Chen Ran, Wei Hui, Mian Mian and Taiwan’s Qiu Miaizu and Chen Xue. They spontaneously regard “body” as the core of dialogue in the writing content of the novel, they are anxious to establish the true “female” discourse and eventually subvert the dominance of the patriarchal culture, so as to truly realize the individual existence experience, emotional experience and life experience of women Opened up a unique “female literature” survival path. This article tries to explore the female protagonists of both sides of the strait since the 1990s from the weird and crazy narcissism of the female protagonists in the “female literature” text, the display without any taboo, and the embarrassing ending of “feminism”