(一) 长期以来,我国戏曲演出形式,呈现了多样化。有连台本戏,如《劝善金科》、《升平宝筏》之类;有全本戏,如《浣纱记》、《长生殿》之类;有小本戏,如《南楼传》、《呆中福》之类;有折子戏,如《春香闹学》、《醉打山门》之类;有叠头戏,如“武十回”、“宋十回”之类;有短剧,如《罢宴》、《借靴》之类。这就在于,观众层次 (A) For a long time, the form of Chinese opera performances has been diversified. There are even the stage of the film, such as “persuade good golden section”, “Ping raft” and the like; have the whole play, such as “Huan yarn”, “Eternal Palace” and the like; Such as “Wu Chun Hui”, “Stay in the blessing” and the like; there is a break show, such as “Spring School”, “Drunk Mountain Gate” and the like; Such as “Banquet”, “borrow boots” and the like. This is the audience level