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苏轼有言:“味摩诘之诗,诗中有画;观摩诘之画,画中有诗。”(苏轼《东坡题跋·二》,上海商务印书馆1936年版,第94页)无论在诗歌写作还是在绘画创作中,王维的禅宗思想均有着直观的呈现。禅宗在王维的思想中占据着重要位置,其中不仅融合了他对儒道思想的理性认知,也与他亲和自然、隐居山林的生活方式紧密相关;另一方面,关于生命之轻的意识与王维对儒道思想结合的思考交缠,自我的生命变得轻盈与流动,诗意顿生。王维以禅入诗,《辋川集》便是此中代表,该集是他与裴迪的唱
Su Shi has a remark: “The taste of Momo’s poem, there is a picture in the poem; Observing the painting of the poem, there is a poem in the painting.” “(Su Shi” Dongpo inscribes two “, Shanghai Commercial Press 1936 edition, p. No matter in poetry writing or painting creation, Wang Wei’s Zen thought has an intuitive presentation. Zen occupies an important position in Wang Wei’s thought, which not only integrates his rational cognition of Confucianism and Taoism, but also closely relates to his natural lifestyle and the way of seclusion in the mountains and forests. On the other hand, Consciousness and Wang Wei’s thinking on the combination of Confucianism and Taoism entwined, self-life becomes light and flow, poetic devotion. Wang Wei to Zen into poetry, ”Wang Chuan set" is one of the representatives, the episode is his singing with Pei Di