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中国传统绘画有其独特的审美,从早期对形的追求到魏晋时期“以形写神”观点的提出,从隋唐五代时期“形神兼备”思想的盛行到宋元后文人画中“得意忘形”理论的发展,使传统绘画最终确定了以表达自我情感为主流的审美情趣。本文通过历史上各个时期对“形”“神”关系的不同认识,阐述中国传统绘画所具有的独特审美。
Traditional Chinese painting has its unique aesthetic. From the early pursuit of form to the viewpoint of “describing God” in the Wei and Jin Dynasties, from the prevailing thought of “both form and spirit” in the Sui, Tang and Five Dynasties to the post-Song literati In the painting, the development of the theory of “delightfulness” made the traditional painting finally determine the aesthetic taste with the expression of self-emotion as the mainstream. This article elaborates the unique aesthetic features of traditional Chinese painting through the different understanding of the relationship between “god” and “god” in different periods in history.