格里高尔的手和胳膊哪里去了卡夫卡的小说在创造艺术形象上的主要手法简直就是一种绘图绘形,卡夫卡曾说自己的创作是“图像,仅仅是图像;别无其他。”这一特点,使我们获得了一把通向卡夫卡作品内部的钥匙,也就是说,我们可以从作品所显示的“图像”中去追寻它们所象征的内容。本雅明在纪念卡夫卡逝世十周年的文章中指出,中国戏剧的最重要的功能之一就是把事件分解成形体元素。对于《变形记》,我们似 Where did Gregor’s hands and arms go? Kafka’s novel’s primary approach to creating an artistic image is simply a pictorial representation. Kafka once said that his creations are “images, just images.” No other. “This feature gives us a key to the interior of Kafka’s work, which means that we can trace what they symbolize from the ” Image “displayed in the work. In his essay commemorating the tenth anniversary of Kafka’s death, Benjamin pointed out that one of the most important functions of Chinese drama is to break the event into a physical element. For the ”Metamorphosis", we like