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作为一个复杂的多维视野下的审美创造活动,舞蹈创作需要诸多环节的配合与运作来形成主客体思维模式下的表达结果。因此,它具有外观构造合成与内维要素运行统一的特征,进而辩证地完成整个艺术生产的全过程。这决定了舞蹈创作既是个体认知下定势思维的发散性创造,同时也是外部艺术学科表现形式的多元合作,更是时代的诉求,即当下舞蹈创作思路的前沿理念的诉求。只是这种外在行为方式需要相应创作理论的逻辑支
As a complex multidimensional aesthetic creation activity, the creation of dance requires a great deal of cooperation and operation to form the expression of the subject-object thinking mode. Therefore, it has the appearance of structural synthesis and internal elements of the operation of a unified feature, and thus dialectically complete the entire art production process. This determines that the creation of dance is not only the divergent creation of the individual’s thinking and the multiple cooperation of the manifestation of the external arts, but also the demand of the times, that is, the demand of the front idea of the contemporary dance creation. Only this external behavior requires the logical branch of the corresponding creative theory