傣剧这个古老而又年轻的剧种是怎样形成的呢?这个问题至今众说不一。目前对傣剧的形成有五种说法:一、内地文化传入与本土文艺的结合形成;二、傣剧是由(清代道、咸年间)德宏地区“坐唱”形式的讲唱艺术发展起来的;三、傣剧是献鬼出窝、跳柳神引出来的;四、在民间歌舞艺术的基础上发展起来的;五、从“银马”(马舞戏)到傣剧。对于这五种说法,我赞同第二种说法,傣剧是由德宏的“坐唱”形式的讲唱艺术发展起来的说说。 Dai drama is the old and young opera is how to form it? This question has so far been mixed. There are currently five versions of the Dai drama: First, the combination of mainland culture and local literature and art; second, Dai drama is a singing and singing art of “sitting and singing” in Dehong region during the Qing Dynasty Developed; Dai drama is devoted to the nest, jump Liu God leads; Fourth, developed on the basis of folk song and dance art; five, from the “silver horse” (horse dance) to the Dai drama. For these five statements, I agree with the second argument that Dai drama is developed by Dehong’s singing and singing style.