《悔不该》是北方昆曲剧院最近演出的现代题材的小折子戏。它同《游园惊梦》、《醉打山门》等昆曲名剧组成了一台节目。可是,却并不显得“夹生”。这出短小精炼、富有趣味的现代小戏,为整个演出增色不少。这个戏的成功,除了剧情很好之外,主要是恰当地运用了昆曲传统的手法,使人看起来不但饶有趣味,而且感到它还是昆曲。早在六十年代,北方昆曲剧院就改编演出过了《悔不该》一戏。由周仲春导演,韩建成饰老华,董瑶琴饰小青。这次又经仲春同志和演员同志们的精心加工、整理,将两场戏并成一场,删除了一些多余的情节,从而使戏更加精炼集中。在这次中青年调演中获得好评。《悔不该》一戏的突出特点是富有创造性地运用昆曲的传统表演手法。例如,老华的上场,是背着身出来的,熟悉昆曲的观众一看就知道,这是从《下山》那里借鉴来的。我们叫“蛤蟆行”。但没有念珠,而是牵着驴,悄悄地往外溜,非常生动。再有,小青进山看看对象,乘上了老华拉脚的驴,一路上老华想方 “Repentance should not be” is a minor feature of the modern theme recently performed by the Northern Kunqu Opera Theater. It is with the “Garden Dream”, “Drunkard” and other Kunqu Opera composed of a show. However, it does not seem “pinch”. This is a short, refined and interesting modern mini-drama that adds a lot of color to the entire performance. The success of this drama, apart from its good plot, is mainly due to the proper application of the traditional Kunqu opera, which makes it not only interesting, but also feels like Kunqu Opera. As early as the sixties, the North Kunqu Opera Theater adapted and performed a “regrettable” drama. Directed by Zhou Zhongchun, Han Jiancheng decoration Lao Hua, Dong Yaoqin decorated Xiaoqing. This time, Comrade Chung Chun and his comrades elaborately worked out and arranged the two scenes together and removed some unnecessary plots to make the play more refined and concentrated. In this young and middle-aged tune won praise. The salient feature of “Repentance” is the creative use of traditional opera techniques. For example, the appearance of Lao Hua is carried out, familiar with Kunqu Opera audience to see that it is from the “down hill” where learn from. We call “toad line.” But no rosary, but holding the donkey, slipped out quietly, very vivid. Again, Xiaoqing into the mountains to see the object, take the old hua feet ass, along the way