本文从故宫最新购藏的隋人《出师颂》入手,探讨了由其引发的对古书画鉴定诸问题。对于象《出师颂》这样未署名款的作品,不是简单的“真”“伪”所能概括的。关键在于时代的判断,即对作品所体现出的风格特点的判定。而作品的价值亦不在真本、摹本,更在于其所负载的文化内涵。 This article starts from the newly purchased Sui People’s Ode to Appreciation of the Forbidden City and explores the problems caused by the identification of ancient calligraphy and painting. It is not simple “true” or “false” to summarize the works of an unsigned name such as “Master Ching.” The key lies in the judgment of the times, that is, the style of the work reflected in the characteristics of the judge. The value of the work is not in the real, copy, but also lies in the cultural connotation of its load.