一笔两面:康有为手稿书写风格的“传统”与“新变”

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本文考察了康有为的碑学理念,确定康氏碑学思想的逻辑起点和理论框架根植于传统书学,而康氏典型碑派书法风格和手稿书写是其碑学理念的反映;进而分析康氏典型碑派书法和手稿书写的风格样式.文章避开“碑学”与“帖学”概念的对立,不以“方”、“圆”、“碑”、“帖”等抽象的形式描述词语对康有为手稿书写风格进行简单标注.认为康有为手稿书写风格与其典型书写风格基本保持一致,符合其所倡导的“碑学”审美品质,同是书学传统中产生的新风格,具有“新变”的意义.
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