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明末文人的以石治印,是五百年来中国金石艺术的一个重要转折点。以此为起点,文人篆刻翻开了新的篇章,其浪漫多彩之态,为前人所不曾梦见。一方色泽清雅、手感温润、易于受刀的小小印石,亦从此有了生命,寿山青田,昌化巴林,名品迭出,夺人眼目,世人见而倾心,遂因刻印而玩石,因玩石而雕琢,钮雕、圆雕、薄意等技法,也从此发生、发展,成为具有独立审美意义的艺术形式。国石之中,以福建寿山最为知名。盖因寿山石名品众多,
By the end of the Ming Dynasty, literati’s stone-marking was an important turning point in China’s art of stone for five centuries. As a starting point, the literati carving opened a new chapter, its romantic and colorful state, for the predecessors never dreamed. One side of the color is elegant, feel warm, easy to be impressed by the small stone, but also have a life, Shoushan Qingtian, Changhua Bahrain, famous after another, eye-catching, the world see and concentrate, Stone and carving, button carving, Yuandiao, thin meaning and other techniques, but also from occurring, developing, become an independent aesthetic significance of the art form. Among the stone, the most famous Shoushan in Fujian. Cover for Shoushan famous many,