柏林斯基曾经苦恼地写道:‘舞台艺术是一种徒劳无益的艺术,因为它仅仅在创造的一瞬间才存在,并且对精神上所起的强有力的影响也就是在当时,过后就无影无踪了。’银幕使演员的创造成了有成效的艺术。扮演列宁的史楚金,扮演斯大林的盖洛瓦尼,扮演夏伯阳的巴保其金,扮演波列沙耶夫的契尔卡索夫,扮演马克西姆的齐尔科夫,扮演巴甫洛夫和摩索尔格斯基的鲍里索夫为千百万观众所熟知。这些演员的创造成果都替下一代的人保存在胶片中了。可是,电影艺术既给予了演员以千百万观众,并且永远把他所创造出来的形象保存下来,那末也就 Berkinski once distressed wrote: ’Stage art is a futile art, because it only existed in the moment of creation, and its powerful influence on spirit was also at that time Shadow disappeared. The screen made the creation of actors a fruitful art. Shi Chukin, who played Lenin, Galluvani, who plays Stalin, Pablo Gimharn, who plays Xia Böyöng, Krkasov, who plays Posyyev, Zilkov, who plays Maxim, plays Pavlov, Borisov of Sorgski is well known to millions of viewers. The creative achievements of these actors are preserved in film for the next generation. However, the art of cinema not only gives the actor millions of viewers, and forever saves the image he created, then