自上个世纪90年代以来,随着改革开放的深化和现代化进程的提速,贫富分化和社会分层的加剧,关于底层的叙事逐渐成为公共知识分子关注的公共话语,在文艺界也掀起了一股持续不衰的创作思潮。第六代的崛起,就以底层书写和边缘题材为最醒目的特色和标签。贾樟柯、王小帅、张元、王超、李扬等人的影像作品聚焦底层,将被遮蔽的底层和撕裂着的社会现状裸露在大银幕上,进而将底层草民原生态的历史图景和现实碎片与所谓民族进步的宏大叙事和主流话语区隔开来,以此 Since the 1990s, with the deepening of reform and opening up and the speedup of modernization and polarization of the rich and the poor and the stratification of the social strata, the narration on the ground has gradually become the public discourse of public intellectuals and has also been set off in the literary and art circles An endless stream of creative thinking. The rise of the sixth generation, with the bottom writing and the marginal theme for the most eye-catching features and labels. The images of Jia Zhangke, Wang Xiaoshuai, Zhang Yuan, Wang Chao and Li Yang focus on the bottom, exposing the sheltered ground and the torn social reality to the big screen, and then turning the underlying grass-roots ecological history picture and reality fragments It is separated from the grand narrative of the so-called national progress and the mainstream discourse