中国画经过二十世纪画家们数十年“创新”性努力,在八十年代中期,部分学院画家成就了一种崭新的工笔,作品频繁入选全国大展受西式教育体系并获奖,从而成为中国画坛关注的名家。随即,画界对此类工笔人物画风格样式的赞扬、追慕和效仿,在全国渐成气候。这一绘画样式有别于历代工笔人物画的模式,是新式美术教育的直接产物,我们可称之为“学院工笔人物画”。 After decades of “creative” efforts by painters in the 20th century, some college painters made a brand new new style of writing in the mid-1980s. Their works have been frequently selected in the whole nation for exhibitions and won the Western education system, thus becoming the Chinese painting concerned about the famous artist. Immediately, the painting community praised, pursued and emulated the style and style of such meticulous figure paintings and became a national climate. This painting style is different from the pattern of the past meticulous portrait painting and is the direct product of the new art education. We can call it “college portrait painting”.