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艺术,是现实生活在艺术家头脑中反映的产物,这种反映不是机械的、被动地照搬生活,而是一种再创造。这种由再创造所产生的作品是“情景交融”的,渗透和浓缩着艺术家主观情感和对美的向往。因此艺术的感人之处首先是以作者的情感为基础。关于“情感”在艺术作品中的地位与作用,我国古代艺术家、文论家早有论述。刘勰在《文心雕龙》中指出,“情者文之经”“繁采寡情,味之必厌”。自居易说,“感人心者,莫先乎情”。明代的焦闳也说,“苟其感不至,则情不深,情不深则无以惊心而动魂,
Art is the product of real life reflected in the artist’s mind. This reflection is not mechanical but passive copying of life, but a re-creation. This kind of creation resulting from re-creation is a ”blend of scenes“ that infiltrates and condenses the artist’s subjective feelings and longing for beauty. Therefore, the touching part of art is based on the author’s emotion. As for the status and role of ”emotion “ in works of art, ancient Chinese artists and literary theorists have already discussed them. Liu Xuan pointed out in ”Wen Xin Diao Long“ that ”The Sutra of the Essay “ Indispensable to say, ”touching heart, Mo first love “. Jiao Jian Ming also said, ”Gou not feel it, then the situation is not deep, love is not deep but no soul and soul,