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汪立三(1933—)是中国当代闻名的作曲家,主要以创作钢琴曲见长。在创作中,他坚持让作品集现代作曲技法和民族内容为一体,这使他的作品既新奇又独特。1980年,他采用西洋复调音乐中的重要体裁——《序曲和赋格》,选用最能表现中国风格的五声调式,完成了一部中国式的复调钢琴作品。这五首带标题和题诗的序曲和赋格分别是《书法与琴韵》、《图案》、《泥土的歌》、《民间玩具》、《山寨》。这首作品在矛盾与碰撞的火花中产生,不同于老一套赋格脸,[1](P19)在音乐上发挥大胆探索的精神,积极吸收西方音乐的养分,力求用更丰富创作手段表现丰富的情感,反映当时时代的精神面貌,使之成为中国音
Wang Lisan (1933-) is a contemporary composer famous in China, mainly known for his piano music. In his creation, he insisted that the composition of modern composer techniques and national content as one, which makes his works both novel and unique. In 1980, he adopted a major genre of polyphony in Western polyphony - “Overture and Fugue”, and selected a Chinese style polyphonic piano piece that best represented the Chinese style. The preludes and fugues of the five titles and poem are “Calligraphy and Qin Yun,” “Pattern,” “Song of the Earth,” “Folk Toys,” and “Cottage.” This work is produced in the sparks of conflict and collision. Unlike the old set of fugue faces, [1] (P19) plays a bold exploration spirit in music, actively absorbs the nutrients of Western music and endeavors to express richness through more creative means Emotions, reflecting the spirit of the times, make it a Chinese sound