“希图根·塔嘿乎”(神灵祭祀)仪式是直接体现巴尔虎蒙古族博教(俗称“萨满教”)信仰体系的重要祭祀仪式之一。本文试图将巴尔虎蒙古博祭祀仪式音乐置于巴尔虎蒙古博教信仰体系之中进行研究,分析巴尔虎蒙古博教灵魂观念下形成的“博——翁古——神灵”之间的互动关系在巴尔虎蒙古博祭祀仪式及仪式音乐中的展现形式,以及由此形成的巴尔虎蒙古博祭祀音乐与祭祀仪式的同型同构文化构成现象。 The ceremony of “Hetugen Tower Hey” (sacred sacrificial offering) is one of the important sacrificial rituals that directly reflect the belief system of the Balhur Mongolian Bo religion (commonly known as “Shamanism”). This article attempts to study the ritual music of Balhu Mongolian rituals in the Baluhu Mongolian Bo religious belief system, and analyzes the relationship between Baluhu Mongolian Bo religious beliefs formed under the concept of “Bo-Wengu-deity” Interaction between the Mongolian Boerhu Mongolian rituals and ritual music in the form of display, as well as the resulting Baluhu Mongolian ritual music and ritual worship of the same type of isomorphic cultural composition.