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“观演关系有问题。”导演陈薪伊从讲台座位上站起来,“我看不到后面的学员。”2012年10月18日,上海戏剧学院红楼209教室,由中国戏剧家协会和上海戏剧学院联合主办的全国青年导演艺术家研修班(以下简称青导班)在上午进行开班仪式后,迎来下午第一场作品分析课。两个小时的时间,陈薪伊站着点评了周晓倩、吴朱红、支涛等三位青年导演执导的三台话剧。“戏剧家的事业是救赎人类的心灵,这是个原则。”点评课结束时,陈薪伊对台下来自全国各戏剧院团的60名导演如是说,“我觉得戏剧就是宗教,是建立审美高度的宗教,人教
”Director Chen pay from the podium seat stand up, “ ”October 18, 2012, Shanghai Theater Academy classrooms 209, by the Chinese Dramatists Association And the Shanghai Theater Academy co-sponsored national youth director artist seminar (hereinafter referred to as the Green Class) in the morning after the opening ceremony, ushered in the afternoon first works analysis class. Two hours, Chen paid to pay tribute stood Zhou Xiaoqian, Wu Zhu Hong, Zhi Tao and other three young directors directed three drama. “It is a principle that the dramatist’s business is to redeem the human mind.” “At the end of the review class, Chen paid his 60 Taiwan directors from Taiwan’s theater troupes.” "I think theater is religion, Aesthetic high degree of religion, people teach