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王朔与王安忆,互不相似的两个作家,在他们关于“文革”的描写中,却都突破了以往的“文革”叙事模式,开拓了有关“文革”经验书写的新的版图。在《动物凶猛》与《启蒙时代》中,王朔和王安忆在观察角度、对材料的取舍、情节的设置、人物的安排等方面都采取了完全不同的策略,这既与创作主体的经历有关,也与他们的文学观念有关。
Wang Shuo and Wang Anyi, two writers dissimilar in their descriptions of “Cultural Revolution” all broke through the “Cultural Revolution” narrative mode in the past and opened up new experience writing about “Cultural Revolution” The territory. In Ferocious Animals and Enlightenment Era, Wang Shuo and Wang Anyi both adopt completely different strategies in terms of observation, materials selection, setting of plot, arrangement of characters, etc. This is not only related to the experience of the creative subject, Also related to their literary ideas.