写生在于贴近大自然,在对大自然的美的观察和感受中“玄观静览”接受自然的化育,获得的不是这个或那个的自然物象的标本,而是对自然美感和谐律动的“悟道”;临摹,在于体味和咀嚼先贤是如何“外师造化、中得心源”而再造出画面上的“自然”的智慧和技巧。师师之道,而不泥师之迹。写生与临摹两者皆不可偏废,两者都是为了赋予画中生机勃发的“自然美”! Sketch is close to nature, in the nature of the United States to observe and feel “Xuan Jing Jing ” to accept the natural breeding, not to obtain this or that one of the natural objects of the specimen, but the natural beauty of a harmonious rhythm “Enlightenment”; copying, is to appreciate and chew the ancestors is how “outside the teacher of good fortune, in the heart of the source ” and create the screen “natural ” wisdom and skills. Division of the road, but not muddy track. Sketching and copying both can not be neglected, both to give the painting vitality “natural beauty ”!