本文试图以中、法翻译名家的作品为例,解读法国语言学者梅硕尼克关于译事诗学的论说。进而以语言学视角观察、分析译事符号学理念与诗学理念的思路与实践。结论是:虽然两种理念在实践中着重点不同,但是都有成功的范例,并遵循着共同的原则:顺势、融合、变通,以便“归化”或追求原文的韵味,即“神似”。 This paper attempts to interpret the works of the French and Chinese scholar Mei Sogn Nickus on translation poetry by taking the translation of famous works by Chinese and French as examples. Then from the perspective of linguistics, we can observe and analyze the ideas and practices of semiotics and poetics in translation. The conclusion is: Although the two concepts have different emphases in practice, they all have successful examples and follow common principles: taking advantage of the opportunity to integrate and adapt in order to “naturalize” or pursue the charm of the original text, ie “ Similar to God. ”