斯维亚托斯拉夫 里赫特的音乐日记(二)

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【听莫扎特《d小调变奏曲》(第十七小夜曲,作品334)的录音】我把这些变奏忘得一干二净,这成了我和莫扎特音乐打交道的规律。我说不清为什么(大概是脑子里缺了根弦),我压根记不住它们。有时能记起第一主题,但第二主题和余下部分都付之忘川!什么都没留下。我们仍住在涅日达诺娃大街,但博尔沙雅·布罗纳雅大街上的公寓已经在等着我们搬入。从那里,我们可以俯瞰整个莫斯科。里赫特未提及演奏者和乐团,这 Listening to Mozart’s “Variations in d Minor” (seventeenth serenade, work 334) I forgot all these variations, which became the law I dealt with Mozart’s music. I can not tell why (probably missing a root in my mind) and I can not remember them. Sometimes the first theme can be remembered, but the second theme and the rest have to be forgotten! Nothing left. We still live on Nizdarnova Street, but the apartments on Bolsaja Bronajaya are waiting for us to move in. From there we can overlook the whole of Moscow. Rieter did not mention performers and orchestra, which
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