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以西方表现主义传统为精神源头的西南“生命流绘画”是中国“八五新潮”时期西南艺术的主要特征。西南的表现性绘画始于20世纪80年代初,活跃于“八五新潮”时期,历经90年代的都市化与个人叙事,至2000年以后的微情境与微观叙事,表现主义的传统在西南地区至今绵延不绝,其中的主要代表艺术家如毛旭辉、张晓刚、叶永青、唐志冈、曾晓峰、陶发等,都长期生活在云南,本文试图梳理他们与云南地域、历史的深层关系,探讨表现性绘画在面向历史、自然、都市等具体的现实情境时语言的衍化与不断推进和突破的可能性。
Southwest China’s “Spiritual Flow Painting”, which takes the Western expressionist tradition as its spiritual source, is the main feature of Southwestern art during the “85 New Waves” in China. The expressive painting in the southwest started in the early 1980s and was active in the period of “85 New Waves”. After 90 years of urbanization and personal narration, micro-situational and micro-narrative after 2000, the traditional expressionism The main representative artists such as Mao Xuhui, Zhang Xiaogang, Ye Yongqing, Tang Zhigang, Zeng Xiaofeng and Tao Fa all lived in Yunnan for a long time. This paper tries to sort out their deep relationship with the geographical and historical aspects of Yunnan Province and explore the expressive painting In the face of historical, natural, urban and other specific realities in the evolution of the language and the possibility of continuous promotion and breakthrough.