古人说:行如行。这也就大抵界定了行书的韵律、节奏,不是站立,不是狂奔,而是行,行行重行行。比较楷、隶、篆,行书多了一些运动的状态,比起草书的放纵奔轶破坚发奇,行书显得徐缓、平和,细澜微波,轻风淑气。因此从节奏上来冠之以行,呈运动的中速状,与慢速的楷隶篆、急速的草书正好形成对比。当代书坛频繁地提到行书典范《兰亭序》《祭侄文稿》《黄州寒食诗》,以此为行书之首。如果仔细分析,三篇的节奏还是有很大差别的,尤其是《祭侄文稿》,有一些字已经越过行书范畴,进入行草或草书了。以此来观当代行书创作,首先是缺乏纯粹 The ancients said: OK line. This also largely defines the prosody of rituals, rhythm, not standing, not bolted, but the line, go all out. Compared Kai, Li, Zhuan, more books exercise a number of state, compared to the cursive Ben Yi Yi Jian Jian odd, Xing Xu seems slow, calm, fine Lan microwave, breeze Shu Qi. Therefore, from the rhythm up to crown the line, was moving in the speed-like, and slow Kai Li Zhuan, rapid cursive just in contrast. Contemporary calligraphy frequently referred to a model book “Lanting Pavilion” “sacrificial niece” “Huangzhou Cold Food Poems”, as the first line of the book. If carefully analyzed, the three rhythms are still very different, especially the “sacrificial niece”, some words have crossed the line of writing, into the line of grass or cursive. In order to view the contemporary line writing, the first is the lack of pure