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“四人帮”疯狂地反对马克思主义,也表现在如何对待文化遗产的问题上。在文化革命初期,叛徒江青胡说对文化遗产只有“艺术形式”才“不能采取虚无主义态度”。言下之意,对思想内容是可以采取虚无主义态度的。阶级异已分子姚文元按江青这个反动调子于一九七○年授意其御用写作班子炮制了一篇《鼓吹资产阶级文化就是复辟资本主义》的黑文,说什么“古的和洋的艺术就其思想内容来说,是古代的和外国的剥削阶级的政治愿望和思想感情的表现,是必须彻底批判并与之彻底决裂的东西”。只有“艺术形式的某些方面”,经过“批判和改造,才能推陈出新”。这些谬论是对马列主义、
The “Gang of Four” frantically opposes Marxism and also shows how to treat cultural heritage. In the early days of the Cultural Revolution, Jiang Qingshu, the traitor, said that it was “an inability to take an attitude of nihilism” only for “cultural forms” of cultural heritage. The implication is that the ideological content can take an attitude of nihilism. Yao Wenyuan, a class dissident, pressed Jiang's response to the reactionary tone in 1970 to instruct his essay writing team to concoct an article that “advocates bourgeois culture as restoring capitalism” and says “what the ancient and the foreign art are like Content is the expression of the political aspirations of the exploiting classes of ancient and foreign countries and the feelings of thoughts and is something that must be completely criticized and thoroughly ruptured with it. ” Only “some aspects of the art form” can be refreshed through “criticism and transformation.” These fallacies are against Marxism-Leninism,