文章以2009年至2010年间作者两次身临陕北佳县白云观道场科仪活动的实际体验为观察点,描述作者“看见”道场的感悟,并尝试分析和解释各种原本非道教所有、所用的诸如民歌、戏曲、说唱音乐、地方民间器乐中的诸元素,为何可以被“道场”包容、接纳?包容、接纳的机制、条件又是如何? The article takes the actual experiences of the author during the two years from 2009 to 2010 in Baiyun Temple Road, Jiaxian County, Shannxi Province as the observation point, describing the author “seeing ” Taoist temple sentiment, and trying to analyze and explain all kinds of original non-Taoism All the elements used in such folk songs, dramas, rap music, and local folk instruments are why they can be tolerated, accepted, accepted and accepted by the “dojo”. What are the conditions?