走过三十年历程的当代中国美学,拥有过自己的光荣与梦想,也经历了徘徊与困顿。显然,回顾中国美学的当代历程,不是为了满足于一种怀旧的记忆,更不是为了举行一个纪念性的文化仪式。因为,与其说回顾是一种记忆,不如说回顾是一种反思,而反思总是当下自己的反思,总是立足于现实的反思。对于当代中国美学来说,三十年历程,既漫长又短暂,它既是已经逝去的过去,又是正在进行的现在。如果离开当下所面对的现实问题,回顾反思的意义就只能消散于缅怀的岁月之中。毫无疑问,新时期改革开放所带来的重大社会转型构成了三十年当代中国美学的社会历史语境。社会转型给中国文化思想界带来了无限的生机与活力,同时也带来了挑战与危机。中国美学在这一震荡转 After thirty years of contemporary Chinese aesthetics, has had its own glory and dream, also experienced wandering and sleepy. Obviously, reviewing the contemporary course of Chinese aesthetics is not about satisfying a nostalgic memory, nor about holding a commemorative cultural ceremony. Because, instead of looking back is a kind of memory, it is better to say that retrospect is a reflection, and reflection is always the moment of their own reflection, always based on the reality of reflection. For the contemporary Chinese aesthetics, the three decades of history is both long and short. It is both an elapsed past and an ongoing one. If we leave the real problems we face now, we can only recall the meaning of reflection in the memory of the years. There is no doubt that the major social transformation brought about by the reform and opening up in the new period constitutes the social and historical context of the contemporary Chinese aesthetics for thirty years. Social transformation has brought infinite vitality to the Chinese cultural and ideological community, but also brought challenges and crises. Chinese aesthetics in this turmoil turn