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本文试图以乐府诗《长安道》的解读来阐释长安的空间文化含义。文章通过《长安道》主题与内容之变化的分析 ,指出它们最初主要描绘了长安的地方意象 ,后来则多反映生活于长安的人们的生存状态 ,而这样的状态折射出人与特定社会空间的四种关系 :家园 -内部者、家园 -外部者、他乡 -内部者、他乡 -外部者 ,其中只有家园 -内部者才是长安意象的真正代言人。
This paper tries to explain Chang’an’s spatial and cultural meanings with the interpretation of Yuefu Poem “Chang’an Road”. Through the analysis of the changes of the subject and content of “Chang’an Avenue”, the article points out that they initially mainly depict the local image of Chang’an, and later mostly reflect the living conditions of people living in Chang’an, which reflects the relationship between human and social space Four kinds of relationships: Homeland - interior, homeland - exterior, hometown - interior, hometown - exterior, of which only homeland - interior is the real spokesman for Changan’s image.