新歌剧,在祖国的戏剧事业中是一个不可缺少的组成部分。它是抗日战争时期开始在解放区出现的艺术花朵,从民间歌舞的基础上创造出来,又经过了“秧歌剧”的阶段才发展成为今天的形式。新歌剧是带有鲜明的民族民间色彩和富有战斗特征的革命文化产物。当我国人民正与帝国主义和国民党反动派进行着艰苦斗争的年代,新歌剧工作者们在各种条件极端困难的情况下仍然坚持创作,把“兄妹开荒”、“夫妻识字”、“牛永贵负伤”、“周子山”、“白手女”、“赤叶河”、“血泪仇”、“刘胡兰”等新歌剧送到了工厂、农村和部队,供给解放区工农兵群众以文化食粮,教育了他们和鼓舞了他们的战斗情绪。在文化战线上发挥了很大的作用。新歌剧是有它的光荣历史的。很多同志都会为新 The new opera is an indispensable part of the theater business in the motherland. It was the flower of art that began to appear in the Liberated Areas during the period of the War of Resistance Against Japanese Aggression and was created on the basis of folk song and dance and went through the stage of “Yangko Opera” to develop into today’s form. The new opera is a revolutionary cultural product with distinct national folk characteristics and combat characteristics. When our people were struggling against the reactionaries of the imperialists and the Kuomintang directly, the new opera workers persisted in their creation in all kinds of extremely difficult conditions and started to “open up wasteland of siblings,” “couple literacy,” and “Niu Yonggui wounded” , “Zhouzishan”, “White-Haired Girl”, “Chek Yehe”, “Blood and Tears,” “Liu Hulan” and other new operas were sent to factories, rural areas and armed forces to feed the masses of workers, peasants and soldiers in the Liberated Areas to educate them and inspire them Their fighting emotions. In the cultural front played a significant role. The new opera has its glorious history. Many comrades will be new