东北城市雕塑有其地域性特征和独特的文化内涵,很多优秀作品如《八女投江》《九一八残历碑》《胜利向前》《群虎》等深受民众喜爱。作为新中国美术史的重要组成部分,研究东北城市雕塑的产生、发展及具体作品的内涵、寓意等,在此基础上纳入美学研究,在崇高之美、美学叙事、自然之美、大众文化等领域探寻 Northeast sculpture has its own regional characteristics and unique cultural connotations. Many excellent works such as “Eight Female Castles”, “Nine-eighteenth Crusade”, “Victory ahead” and “Group Tiger” are deeply loved by the public. As an important part of the history of new Chinese art, this paper studies the birth and development of urban sculpture in northeast China and the connotation and moral meaning of specific works. On the basis of this, it incorporates aesthetics research and explores such fields as sublime beauty, aesthetic narration, natural beauty and mass culture