一、“怨恨”的剧情设计模式叶郎曾说“凡是对现实的生活(政治风度等等)表示一种带有否定性的情感都属于怨”。~([1])在东北沦陷时期,金剑啸和李乔的戏剧都做到了从客观实际出发,表达了自己对山河破碎的极度不满和深深的怨念。两人设计的剧情往往都是善良有道德的人在暗无天日的社会下苦苦挣扎,最后希望破灭,家破人亡。我们姑且把这种剧情称之为“怨恨的剧情。”在李乔的《黑白线》中,由于老何的蒙骗,士敏一家人面临着生活 One, “resentment ” plot design pattern Ye Lang once said “All the real life (political demeanor, etc.) said that with a negative emotion belongs to the blame.” ~ ([1]) In the fall of the Northeast, both the Jin Jianxiao and Li Qiao’s plays set off from objective reality and expressed their extreme dissatisfaction and deep resentment about the shattered mountains and rivers. The two are often plotted on the plot of kind and moral people struggling in the dark days, and finally hope that burst, the family was killed. Let us call this scenario “a resentment story.” In Li Qiao’s “Black and White Line,” the family of Minh Minh faced life