论文部分内容阅读
引人注目的中国音乐电视已经举办了五届,而粗略算来大约先后有3000首左右的音乐电视作品在荧屏相继亮相了。这是一个十分可观的数量,足以证明音乐电视这种形式的深入人心与颇受青睐。但是,在一次又一次欢声雀起、热闹异常、有芸芸数百万之众参加投票的颁奖晚会结束之后,无法否认的却是长久的冷落与沉寂。犹如大海狂潮涌动之后,一俟退潮,便难免会留下几分静寂,从而同热浪澎湃形成了鲜明的反差。 对此,人们似乎有理由责问:这些
Chinese music television has been held for five times, and roughly roughly 3,000 music and television works have appeared on the screen one after another. This is a very impressive amount of evidence to prove the popularity and popularity of this form of music and television. However, after repeated cheers, busts and crowds of award-winning galas, which millions of people voted for, millions of people can not deny the long absences and silences. Like a wave of ebb and flow, a long ebb will inevitably leave a bit of silence, thus forming a sharp contrast with the surging waves. In this regard, people seem to have reason to blame: these