关于赋的命名和汉大赋起源的问题，历代各家的认识均有偏失。其实，赋作为一种文体名称，实兼二义：表现手法上的铺陈和文体上的“不歌而诵”。关于汉大赋的起源，自《诗经》以后，北派辞赋沿着从北方歌谣到荀况《赋篇》、秦代刻石文和秦时杂赋发展的线索并未中断。南派辞赋则从楚地民歌经屈原改造而发展到宋玉的赋作和汉初骚体赋，也始终保持着自己的特色和传统。它们都对汉大赋的形成产生了重要的影响，但都不是唯一的原因。汉大赋是在融合南北辞赋和先秦散文的基础上形成的。 Concerning the naming of Fu and the origin of Han dynasty, the cognition of every dynasties has been neglected. In fact, Fu as a stylistic name, the real and the second meaning: the presentation of the performance techniques and stylistic “not song and chant.” With regard to the origin of the Han dynasty, since the Book of Songs, the clues of the Northern School Ci along the track of songs from the north to Xun Kuang’s “Fu articles”, the inscriptions on the stone inscriptions in the Qin Dynasty and the miscellaneous Fu in the Qin Dynasty have not been interrupted. Southern faction from the Chu folk songs by the Qu Yuan transformation and development to Song Yu’s Fu and early Han Sao fu, but also always maintain its own characteristics and traditions. All of them have an important influence on the formation of the Han dynasty, but they are not the only reasons. Han Da Fu is formed on the basis of integrating Southern and Northern cessation and pre-Qin prose.