１９９５年１１月底在拉萨大昭寺举行的金瓶掣签这一重大宗教历史盛事为世人所瞩目，而以这一历史事件为主题的绘画创作也极为艺术界所关注，尤其在西藏画坛。而创作《金瓶掣签》的三位作者均与笔者是极好的朋友。因为这层关系，使我无意中成了除作者之外最了解这幅画创作... At the end of November 1995, the major religious and historical event of drawing lots from the golden bells, held at the Jokhang Monastery in Lhasa, attracted the attention of the world. The creation of paintings based on this historical event is also of great concern to the art world, especially in the art scene in Tibet. The author of the “Golden Draw for the signature” of the three authors and the author is an excellent friend. Because of this relationship, I accidentally became the most aware of this painting creation except the author ...