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对于鲁迅的叙事散文《朝花夕拾》过去研究界一致认为是“回忆性散文”。但实际上“回忆”并没有成为笼罩“叙述”的一种氛围．而只是一种对“今天”进行观照的距离移动。“过去”在鲁迅的艺术创造过程中，是一种对现实的观照物，是对未来的警示，因而“回忆”与“杂文”是交织互渗的。《朝花夕恰》的文体核心正是这种“杂文方式”：一是“回忆”的功能是在“杂文方式”中显示的；二是主体的叙述性是在“杂文方式”中展开的。这也同时构成了鲁迅叙事散文的文本特征。
For the narrative prose of Lu Xun, “North Korea spend the evening” in the past the research community agreed that it is “recalled essay.” But in fact, “memories” did not become a kind of atmosphere that enveloped “narration.” It is just a distance to look at “today.” In the process of the creation of Lu Xun, “the past” is a kind of observation of the reality and a warning to the future. Therefore, “memories” and “essays” are intertwined. The core of style and style of the “flower of the moment” is this “essay way”: first, the function of “memory” is displayed in the “essay way”; second, the narration of the subject is carried out in “essay way” . It also constitutes the textual features of Lu Xun’s narrative prose.