诞生于建国之初的电影录音剪辑,是依附于电影的,力图在广播里再现电影。基于这种认识,几乎整个五十年代,这类节目的制作都以描摹电影为已任。随着实践的逐渐深入,制作者越来越感到不能昕任广播自身无所作为。为挣脱唯电影是从的困境,六十年代初,我提出了电影录音剪辑应立足广播这一基本观点。不过,当时这种认识还只是朦胧初醒,既没有能就电影录音剪辑节目中广播与电影的关系进行深入研究,也还不能 Born in the beginning of the founding of the movie recording clip, is attached to the movie, trying to reproduce the movie on the radio. Based on this understanding, almost all of the fifties were produced with the tracing of films. With the deepening of practice, producers increasingly feel that they can not make any new contribution to radio. To get rid of the dilemma of CD-only, in the early 1960s, I put forward the basic idea that a movie recording clip should be based on broadcasting. However, at that time, this kind of understanding was only a vague reminder that neither the in-depth study on the relationship between radio and film in film-audio editing programs nor the