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吴梅在中国戏曲史上,‘是李渔之后最杰出的一位“昆剧全才,是曲学的集大成者’。”(1)他不仅以一种严谨的学术研究姿态来对待戏曲这一地位“低贱”的传统文化类型,在曲学研究、剧本创作等诸方面卓有成就,而且在我国近代高等学校专业教育起步阶段即将传统戏曲带入高校并培养了以许之衡、任中敏、俞平伯、钱南扬等为代表的,多位卓有成就的戏曲理论大家。但由于种种原因,对于吴先生相关贡献的梳理、记录、研究和总结的工作进展缓慢,成果寥若晨星。这是极其不利于中国戏曲教
In the history of Chinese opera, Wu Mei was one of the most outstanding singers after Li Yu. “The Kunqu Opera is the master of music theory.” (1) He not only treated the drama in a rigorous academic research attitude In the initial stage of professional education in modern colleges and universities in our country, the traditional operas are about to be brought into colleges and universities, and the schools of fine arts, such as Xu Zhiheng, Ren Zhongmin, Yu Pingbo, Qian Nanyan, as the representative, a number of outstanding opera theory everyone. However, due to various reasons, the work of sorting out, recording, researching and summarizing Wu’s contribution has been slow and has produced few achievements in the morning. This is extremely unfavorable to Chinese opera