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王燮达近年来的作品,一直以其素雅端庄的古风和清丽飘逸的气度为标志,从根源上追溯着汉民族美学的源头。他的雕塑,往往以单纯而质朴的线条为主体,架构出简约而空灵的造型。在那些貌似上古原始图腾和早期书法符号的视觉形态中,王燮达探索着抽象而纯粹的美感,对体量节奏的把握刚柔并济,对空间韵律的经营举重若轻,这些雕塑令人一见倾心的缘故,也许正是创作者与观看者对某种永恒的简约之美所产生的刹那共鸣。
In recent years, Wang Xieda’s works have been marked by their elegant and dignified archaic style and elegant and graceful grace, which trace the origin of the Han national aesthetics from its origin. His sculpture, often simple and simple lines as the main body, the structure of a simple and ethereal style. Among the visual forms that look like ancient primitive totems and early calligraphic symbols, Wang Xieda explores abstract and pure aesthetics, is rigid and supple with the grasp of volume rhythms, and lays bare emphasis on the management of spatial rhyme. These sculptures are very popular For some reason, perhaps it is the momentous resonance of creators and viewers with some sort of eternal simplicity.