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2005年是世界电影诞生110周年,中国电影问世100周年。在这样一个值得广大电影工作者和电影爱好者合掌欢庆的时刻,国内有学者提出了一个振聋发聩的“恐怖”命题:电影艺术“即将走向终结”。①他们认为在全球化背景下,高科技的迅猛发展为电影艺术带来新的美学效果的同时,也悄然给
2005 is the 110th anniversary of the birth of the world movie, the 100th anniversary of the advent of Chinese films. At a time when such a film meritorious delight worthy of the cooperation of movie workers and film lovers, some scholars in China have put forward a “horrifying” proposition: the art of film is about to come to an end. ① In the context of globalization, they believe that while the rapid development of high technology has brought a new aesthetic effect to the art of cinema, it has also quietly given