“暴力美学”在电影中的应用最早起源于美国,随后又在中国香港、日本等亚洲地区得到了发展,从而风靡全球。就当代美国影坛而言,奥利弗·斯通所执导的多部优秀影片无疑是其中的重要代表。本文将在探析奥利弗·斯通从影之路的基础上,以《天生杀人狂》《野战排》《门》等斯通的代表性影片为例,从其影片中的“暴力”叙事和“暴力”色彩入手,对奥利弗·斯通电影中的暴力美学进行研究。 “Violence Aesthetics ” has its origins in the movie originated in the United States, and subsequently developed in Asia such as China, Hong Kong and Japan, thus sweeping the world. In terms of contemporary American cinema, many excellent films directed by Oliver Stone are undoubtedly one of the most important films. Based on the analysis of Oliver Stone’s shadowy road and the representative films of Stoneman, such as “Born to Killer,” “Field Platoon,” “Door,” and other texts, “Violence ” color to start the study of violent aesthetics in Oliver Stone’s movie.