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在汉斯·里希特于20世纪30年代早期在瑞士写的极具影响力的文章《为电影而奋斗》中,里希特讨论了纪录片的传统理念,认为从事纪录片创作的电影人应该具备“一种创造性的品质,即坚持掩饰或者隐藏自身以获取更逼真地掩饰和虚构的客观现实”。~①里希特特别强调了纪录片制作者在面对记录的必要性和阐释的欲望之间的紧张关系。这篇文章想要探寻的是假如纪录片制作者是一个动画师,想在非
In Hans Richter’s very influential essay in the early 1930s in Switzerland, “Fighting for Movies,” Richter discussed the documentary tradition of thinking that filmmakers engaged in documentary production should have “A creative quality that insists on disguising or hiding itself for a more objective subtlety and fictional reality.” ~ ① Richter highlighted the tension between documentary producers in the face of the need to record and the desire to explain. What this article wants to explore is if the documentary producer is an animator and wants to be in Africa