七幅中等尺寸的照片,四个大小不一的录像,几段文字资料,“庄辉个展”有着克制简朴的样貌,似乎以此提醒观者展出的是文献,而真正的个展则“以某种缺席的方式在场”。2014年的夏天,庄辉分别在内蒙古的戈壁腹地和位于甘肃、新疆和青海交界的一处废城遗址创作了两组作品,并永远搁置在那里。虽然相隔近千公里,作品遥空呼应,构成一簇星丛般的整体。“庄辉个展”不是对地景艺术的简单模仿,也不局限于对当代艺术展览机制的质疑 Seven medium-sized photographs, four videos of different sizes and paragraphs of texts, “Zhuang Hui’s solo exhibition” have restrained simple appearance, it seems to remind the audience to display the literature, and the real solo exhibition Then “is present in some way absent”. In the summer of 2014, Zhuang Hui created two groups of works in the hinterland of Gobi, Inner Mongolia, and one of the sites of the abolished city at the border of Gansu, Xinjiang and Qinghai, respectively, and will remain there forever. Although separated by nearly a thousand kilometers, works echoed in the air to form a cluster of star clusters like a whole. “Zhuang Hui solo exhibition ” is not a simple imitation of the art of landscape, nor is it confined to the question of the contemporary art exhibition mechanism