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“水墨画的产生与个人体验及私人空间密切相关。在现代社会,公共空间的产生发展对水墨画提出了新的问题,我们确实可以解决这二者的矛盾吗?可以说,现代中国新建的美术馆,根本都没有考虑过水墨画的陈列和观赏问题,何香凝美术馆还不错。展览对于传统的水墨画是个全新的课题。从建筑来说,我觉得空间一定要安排得合理,合乎水墨画尤其是欣赏笔墨的视距。我想,我们都有同样的经验,一幅在家里或案头上看不错的画,拿到展厅,黯然失色。传统的水墨画非常讲究它和建筑空间的搭配关系,一些老先生甚至还讲究什么季节挂什么画。”
“The emergence of ink painting is closely related to personal experience and private space.In modern society, the emergence and development of public space put forward new problems for ink painting, can we really solve the contradiction between the two? It can be said that the modern Chinese art Museum, did not consider the display and viewing problems of ink painting, He Xiangning Art Museum is not bad.Exhibition for the traditional ink painting is a new topic.From architecture, I think the space must be arranged reasonable, in line with ink painting, especially to appreciate the ink I think we all have the same experience, a good painting at home or on the desk, to get the gallery, eclipsed the traditional ink painting is very particular about it and the architectural relationship with the building, some gentlemen even Also pay attention to what season hanging painting. ”