岭南一隅的近代花鸟传统可以追溯到居廉和居巢的时代,作为岭南画派的滥觞,他们的艺术理念和技法流传甚广。但是,岭南画派中专事花鸟的画家的人数却远不如山水者。对很多画家而言,花鸟画领域所承载的格局和气度相对有限,而画种所强调的技巧又容易成为个性的束缚。在这层意义上,关怡的行动与岭南画派“寻新起古今波澜”的原则不无二致。关 The modern flower-and-bird tradition in the corner of Lingnan can be traced back to the age of Ju Lian and Ju Chao. As the origins of the Lingnan School of Painting, their artistic concepts and techniques have been widely circulated. However, the number of painters specializing in flower-and-bird in Lingnan School of Painting is far less than the number of landscape artists. For many painters, the pattern and temperament carried by the flower-and-bird painting field are relatively limited, and the techniques emphasized by the painting can easily become the fetters of individuality. In this sense, Guan Yi’s actions are consistent with the principles of the Lingnan School of Painting and the search for new beginnings and now waves. turn off