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近些年来,当戏剧界的许多人正在为“危机”、“不景气”而迷惘、困惑的时候,吉林剧坛上的一批新作、一些新人,却似乎于不经意间颖脱而出,引起了省内外同行和观众们的注意。他们崛起于白山松水之间,以赤子般的情怀关注着父老乡亲们的生活和命运,刻意追求关东(山海关外)人民历史文化的意蕴和审美需求,作品呈现出浓郁的“关东情,关东趣儿,关东风格,关东味儿”。于是乎,人们称之为“关东戏剧”。“关东戏剧”的出现是历史文化发展的必然正如一切社会历史现象的产生和发展,都有其渊源和规律可寻一样,“关东戏剧”的
In recent years, when many people in the theater are confused and confused about “crisis” and “depression”, a number of new works and some new people on the stage in Jilin seem to inadvertently come out and cause Provincial and foreign counterparts and audiences attention. They rise in the middle of the mountains and enjoy the life and destiny of their fellow villagers with their feelings of pride. They deliberately pursue the connotation and aesthetic needs of the history and culture of the people in Kanto (outside of Shanhaiguan) Fun children, Kanto style, Kanto taste child. “ Ever since, people call it ”Kanto drama.“ The emergence of the ”Kanto Theater“ is an inevitable development of history and culture. Just as the emergence and development of all social and historical phenomena have their origins and laws, the ”Kanto Drama"