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末代美学在中国美学史上具有重要的地位,它形成了鲜明的时代审美理想、完整的主体审美意识、繁博的审美形态、独特的风韵格调,彬蔚大备,郁郁乎文哉。它既承绪于前代,又改变了前代,给后代的美学史以深刻影响。宋人富于原创精神,获得了创新性美学成就,提供了一系列前所未有的审美形式和美学理念。宋代社会与宋美学、宋学与宋美学之间存在着密切联系,表征着中国美学史的发展规律。宋人的文化一审美心态和思维机制、宋人所创造的审美形态和由此所形成的审美风貌,构成了一轴灿然瑰丽的画卷,成为后人所神往的美学世界。
The last aesthetics has an important position in the history of Chinese aesthetics. It has formed a distinctive aesthetic ideal of the times, a complete aesthetic awareness of the subject, a rich and varied aesthetic form, and a distinctive style of charm. It inherits both the previous generation and the former generation, which profoundly affects the descendant’s aesthetic history. Song people full of original spirit, access to innovative aesthetic achievements, provides a series of unprecedented aesthetic forms and aesthetic ideas. There is a close relationship between Song society and Song Aesthetics, Song Learning and Aesthetics of Song, which symbolizes the law of development of Chinese aesthetics history. The aesthetic attitude and thinking mechanism of the Song Dynasty’s culture, the aesthetic form created by the Song Dynasty and the aesthetic style formed by the Song Dynasty form the magnificent picture of one axis and the aesthetically pleasing world of future generations.