打倒“四人邦”以后,歌颂杨开慧的戏剧作品,如同绚丽的山花竞相开放。它是当前阶级斗争、路线斗争的产物,是全国人民仇恨“四人邦”、深切怀念毛主席的战友和夫人杨开慧烈士的情感的体现。其中有些作品,如我们看到的湖南省长沙市歌剧团的歌剧《骄杨》、中国京剧团的京剧《蝶恋花》、中央戏剧学院的话剧《杨开慧》等,都比较成功地塑造了杨开慧的艺术形象,对于革命历史剧的创作,提供了值得重视的经验。在符合历史真实的基础上,进行艺术创造开慧烈士是群众崇敬而又熟悉的历史人物,因此,对于描写杨开慧的戏剧作品,要求也就更高。戏剧不是传记,不能把杨开慧一生的事迹原封不动地搬上午台。戏剧要求有尖锐的戏剧冲突,必须对生活素材集中提炼,允许并且必须有艺术的想象和虚构;然而又不能为了“戏剧性”而把不符合杨开慧思想品质、个性特征的描写加到她的身上。在时代气氛、人物性格以及重要的情节上, After overthrowing the “gang of four,” we are extolling the operatic works of Yang Kaihui, opening up like gorgeous mountain flowers. It is the product of the current class struggle and the line struggle. It is the embodiment of the hatred of the “gang of four” by the people throughout the country and deeply remembers the feelings of martyrs Yang Kaihui and martyr Chairman Mao. Some of these works, such as the opera Arrogance Yang of the opera troupe in Changsha City, Hunan Province, Peking Opera in the Peking Opera Troupe of the Chinese Peking Opera Troupe, and the drama “Yang Kaihui” of the Central Academy of Drama, all have successfully shaped Yang Kaihui The artistic image, for the creation of revolutionary historical drama, provides a worthy experience. In line with the historical realities, based on the art to create Kai Hui martyrs are revered and familiar historical figures, therefore, to describe the drama of Yang Kaihui requirements are higher. Drama is not a biography, can not put Yang Kaihui life story intact on the morning stage. Drama requires sharp dramatic conflicts. It must concentrate on living materials and allow and must have artistic imagination and fiction. However, it can not add to her the description of the qualities and personalities that do not conform to Yang Kaihui’s ideas for “dramatic” drama. In the atmosphere of the times, character and important plot,